Writing

Julie has been writing about culture since 2009, initially reporting on the performing arts for the San Francisco Bay Guardian. She was a 2019 recipient in the Art Writing Workshop — a partnership between the Arts Writers Grant Program and the International Association of Art Critics. In 2013 she was the inaugural Writer in Residence at the ODC Theater where she wrote program notes, contextual articles and provided dramaturgy for developing choreographic works on the dance campus. She also covered YBCA’s performance programs for Culturebot from an embedded role at the contemporary art center. Julie was a Fellow in the 2011 NEA Arts Journalism Institute in Theater at USC Annenberg, during which she reported for Engine28.com, a pop-up newsroom. She was also a Fellow in the 2010 NEA Arts Journalism Institute in Dance at the American Dance Festival. In 2010 she was awarded the Gary Parks Emerging Writer Scholarship by the Dance Critics Association. Her writing has also appeared in publications such as the Willamette Week, In Dance, Theatre Bay Area Magazine, Voice of Dance and Dance/USA’s e-Journal: From the Green Room.

In addition to her culture writing, Julie is an editorial specialist at Central European University in Vienna, where she works with academics, higher education institutions and university alliances to write articles that amplify social science and humanities research for the general public.

 

Projects


FAN MAIL

“alone together” by catherine galasso, photo by Robbie Sweeny

“alone together” by catherine galasso, photo by Robbie Sweeny

FAN MAIL is a writing series and creative gesture to celebrate dance artists who perform on the ODC Theater stage. These essays are accompanied by video of full-length works from recent season artists. FAN MAIL is based on engagement with artists onstage and in process. Featured artists:

 

Grandma Program Essay

photo by andrew jordan

photo by andrew jordan

You are wearing an aqua satin parachute of a clown suit. It changes your shape. It smells musky having been in the trunk of a car during a balmy New England summer. You feel the slight pull of resistance, the studio air catching the folds of the ballooning pants. Artist Cori Olinghouse cues you to do some mental scratching. To take a walk, in this case as a “pity party clown”. The music begins. You are in clown therapy...


Dilettante Volume II, Network

Joshua Tree, July 6-13, 2014

A publication of the summer forum for inquiry and exchange

Dilettante is a publication produced by the residency program Summer Forum for Inquiry and Exchange. This collection, edited by Sara Knox Hunter, is based on Networks of Belonging: Geographies, Citizenries and the Masses, a convening in Joshua Tree, California, July 6-14, 2014.

 

Curating Encounter in the Public Square | Institute for Curatorial Practice in Performance

Creative Ecosystem think tank

Creative Ecosystem think tank at YBCA

By studying a program of artist-driven think tanks at the Yerba Buena Center for the Arts, I examine the challenges and affective capacities of a call-and-response pedagogy for action research located at a civic institution. This research, in the expanded field of socially engaged art, mines the roles of the art center as public commons, the artist as public intellectual and the community as a generative culture making body. By observing research oriented working groups engaged in collaborative knowledge production for creative public intervention and exhibition, this work explores the conditions for increased equity and operations of a civic public practice.


Good Circulation | READING

american realness 2013

american realness 2013

READING began as a zine for the American Realness festival in 2013. The publication commissioned essays and other writings related to the festival performances and artists. Good Circulation is my contributed essay to this edition.

 

ODC Writer in Residence Blog

ODC Theater, San Francisco

Blog articles about dance in the Bay Area and beyond as Writer in Residence at the ODC Theater, 2013-2014.