• embodiment • connection • reflection • transmission • inquiry • mindfulness • 

Julie Potter is a performance curator, public practice specialist and writer based in San Francisco. As the Director of the ODC Theater, she serves executive and artistic functions including season programming, public engagement and resident artist opportunities. Potter was previously the Creative Ecosystem Senior Program Manager at the Yerba Buena Center for the Arts designing community engagement programs including YBCA:You, at the intersection of art and wellness, and YBCA Fellows, deploying creative practice for social change. She lectures in Stanford University's Arts In Context course.

In 2016 Potter completed her MA as part of the inaugural class of Wesleyan University’s Institute for Curatorial Practice in Performance. Her research defines a call and response approach to a civic public practice modeling  collaborative research, live exhibition and performance as a deliberative mode. She is also passionate about the affective capacities of performance on memory, empathy and creativity. Potter was a 2015 National Arts Strategies Creative Community Fellow and also the 2013 Writer in Residence at the ODC Theater.

As part of the Programs and Pedagogy team at YBCA, Potter developed the Smart Night Out and Smart Night Outing contextual performance programs. She has been a guest curator for ConVerge at YBCA, presenting Unproductive Time/A Party With Rules in 2014 and An Evening of Word/Play in 2013. She also curated Dance Discourse Project #13: Dancing in the Museum presented by Dancers’ Group, CounterPulse and the de Young Museum. Potter was a 2011-12 Emerging Arts Professionals Fellow organizing public programs in the Bay Area including Artist As Citizen, The Artist-Administrator Balancing Act and Collaborators in Situ.

She has written about the arts for publications including San Francisco Bay Guardian and In Dance, with contemporary performance festival coverage for L.A.’s pop-up newsroom Engine28.com, Portland’s Willamette Week and New York-based Culturebot. Potter was a Fellow in the 2011 NEA Arts Journalism Institute in Theater and Musical Theater at USC Annenberg, and the 2010 NEA Arts Journalism Institute in Dance at the American Dance Festival. She was also awarded a 2010 Gary Parks Emerging Writer Scholarship by the Dance Critics Association.

In New York, Potter worked at The Juilliard School and Weber Shandwick Travel and Lifestyle Practice and in Chicago interned at The Joffrey Ballet and River North Chicago Dance. She earned a B.S. in dance and arts administration with a minor in journalism from Butler University, spending a semester in Europe.



New View | In Dance

Meet Julie Potter, the Director of San Francisco’s ODC Theater, who stepped into the role in the fall of 2016. Dancers’ Group has had the privilege of working with Julie as a writer for this publication and in her former role at YBCA. We were delighted to discover more about her many interests and inspirations...

ODC Theater | Sign Up for the Monthly E-Newsletter

Photo by andrew jordan

Photo by andrew jordan

At ODC Theater, we’re in the practice of dreaming the culture forward with artists. Of modeling new ways of being together, and becoming responsible to what we see and hear collectively. Here we consider the promises, risks, and urgencies of assembly at this moment, and how gathering at the theater shapes economies of time, attention, and experience, with the possibility of becoming more meaningfully connected.

As a crossroads for local and visiting dance artists, ODC Theater serves as a site of generative vibrancy for performance. The 2019 theater season proposes imaginative worlds and strategies for our times: rituals for navigating uncertainty, perspectives on labor and dignity, embodied song for healing and undoing habits, and dance as a way of knowing.

Community Engagement | In Dance

photo by tommy lau

photo by tommy lau

For the artist Marcel Duchamp, “a work of art is a rendez-vous,” a time and space where artists and viewers come together. At times, a third party can be present, acting as a facilitator or interpreter...


Radio Interview | SF’s Women-Run Arts Organizations